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Hermann
Lungkwitz
Early Texas
landscape painter and photographer Karl Friedrich Hermann Lungkwitz
was born on March 14, 1813 in Halle-an-der-Saale, Saxony, while
Napoleon's artillery bombarded the city. The majority of three
hundred fifty extant Lungkwitz works are pencil and oil studies from
Europe. His Romantic landscape paintings of the Texas Hill Country,
old San Antonio, its Spanish missions, and Austin, were painted over
four decades, documenting nineteenth-century Texas. Two pre-Civil
War lithographs (Dr. Ernest Kapp's Water-Cure, Comal County, Texas
and Friedrichsburg, Texas) and one postwar lithograph (San Antonio
de Bexar) have been identified.
Lungkwitz completed his paintings in his studio, based
on careful pencil drawings done at favorite locales like Enchanted
Rock, Bear Mountain, and other promontories north of Fredericksburg,
which Lungkwitz called the Granite Mountains, and the Guadalupe,
Pedernales, Llano, and Colorado river valleys. Reflecting his
training at the Dresden Academy, his detailed paintings are luminous
with bright earth colors.
Lungkwitz studied with Adrian Ludwig Richter, a
Romantic landscapist, at the Royal Academy in Dresden from
1840-1843. Lungkwitz received a certificate of achievement from the
Academy for a view of the Elbe River in the latter year. During
three summers, he painted the Austrian Salzkammergut and Upper
Bavarian Alps. Until 1850, when he emigrated to America with his
family, Lungkwitz was probably a professional artist in Dresden. He
may have had to flee Saxony because of participation in the
revolution of 1848-49 and insurrection against the Saxon king in May
1849.
After six months in Wheeling, West Virginia, Lungkwitz,
his artist brother-in-law Friedrich Richard Petri, and their
families, left for Texas. He arrived in New Braunfels in July 1851,
remaining six months before moving west to Fredericksburg, where
they settled on a farm in 1852, where Lungkwitz remained until 1864.
Not surprisingly, on the harsh, hill-country frontier, the two
artists could not make a living from their painting, so they
resorted to farming and raising cattle.
When Petri died in 1857, Lungkwitz learned photography,
a profession that he followed in San Antonio with Carl G. von
Iwonskiqv from 1866 until 1870. Between 1859 and 1861 Lungkwitz,
Wilhelm Carl Augustus Thielepape, and photographer William DeRyee,
visited New Braunfels, Austin, the Texas Hill Country, Indianola,
and towns along the Mississippi and Ohio Rivers exhibiting their
works and giving magic-lantern shows.
Seeking to Purchase Works by
Hermann Lungkwitz
& other Early Texas Artists
San Antonio,
Texas
Specializing in Early Texas Art Since 1988
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Moving to Austin in 1870, he was employed as a draftsman and
photographer for the General Land Office. His daughter Martha may
have been the first woman employee of the state of Texas when she
was appointed a clerk in the Office. Lungkwitz apparently did not
paint during his tenure on this job. When he lost his employment in
1874 after a change in political administration, he began to paint
again in and around Austin and the Texas Hill Country for the next
fifteen years.
During the 1870s and the 1880s, he also gave lessons
and taught at the German-American Ladies College, Alta Vista
Institute, and the Austin Female Collegiate Institute, all in
Austin, and apparently run by his son-in-law Jacob Bickler. He also
worked on the sheep ranch of his daughter Eva Klappenbach near
Johnson City and gave private art lessons in Austin and Galveston,
where he periodically visited the Bicklers after they moved there in
1887.
Lungkwitz' shared a studio with artist William Henry
Huddle, painting, it is said, the landscape parts of Huddle's
painting of Santa Ana's surrender and portrait of Davey Crockett,
which now hang in the foyer of the Texas State Capitol in Austin.
Lungkwitz lived, in 1891, with Jacob Bickler in Galveston. Karl
Lungkwitz died of pneumonia on February 10, 1891, at the Austin home
of his daughter Helene von Rosenberg and was buried in Oakwood
Cemetery there.
Lungkwitz was nearly forgotten for a generation after
his death, but his works, along with those of Richard Petri, have
been exhibited in Texas museums and universities since the 1930s.
Examples of both artists' work can be found at the Texas Memorial
Museum, University of Texas at Austin; the Museum of Fine Arts,
Houston; the Amon Carter Museum, Fort Worth; and the San Antonio
Museum Association. Lungkwitz was given a major exhibition by the
University of Texas Institute of Texan Cultures at San Antonio in
1983-84.
Other collections holding the work of Karl Hermann
Lungkwitiz include the Center for American History; Governors
Mansion, Austin (lent by Witte Museum, San Antonio); Capitol
Historical Artifact Collection, Austin; Comfort Historical Museum;
Dallas Historical Society; Torch Energy Advisors, Inc., Houston;
Daughters of the Republic of Texas Library, and Witte Museum, San
Antonio; and San Antonio Public Library.
Lungkwitz's exhibitions include:
Yanaguana Society Exhibition of Old San Antonio Paintings
Centennial Exhibition of Early San Antonio Paintings
The Early Scene: San Antonio
Remembering the Alamo: The Development of a Texas Symbol
The Art and Craft of Early Texas (1988),
Source:
John and Deborah Powers, "Texas Painters, Sculptors, and Graphic
Artists"
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